Tag Archives: San Miguel Writers Conference

Guest Post: San Miguel Writers’ Conference by Gordon Cope – Part Three

This is the third of a 3-part series written by Gordon Cope who has been previously featured on Reading Recommendations. Gordon has offered to give us an “insider’s look” into the writing conference held annually in San Miguel de Allende, Mexico.


The city of San Miguel de Allende has experienced tremendous wealth, virtual abandonment and a phenomenal rebirth. Established as a mission in the 16th century, it grew prosperous as the midway point between silver mines to the north and Mexico City to the south. It reached its heyday in the 18th century, when merchants and hacienda owners built impressive mansions and commercial buildings in the Baroque and Neoclassical styles.

But the Mexican War of Independence that broke out against colonial rule in the early 1800s was the beginning of a century of decline. Although the city itself was one of the first municipalities to throw off Spanish rule, it was not devastated by fighting. Instead, protracted hostilities saw the closure of silver mines in the state of Guanajuato and the decline of agricultural trade. Citizens abandoned their sumptuous homes to the elements, and SMA became a virtual ghost town.

Several factors contributed to its recovery. In the early 20th century, the Mexican government established regulations to help the municipality retain its colonial appearance. Expats also began to discover the town. Attracted by its charm and gentle winter climate, artists and writers flocked to its inexpensive environs. Stirling Dickinson, an American, established the Instituto Allende, an art and cultural school that was attended by US veterans studying under the GI Bill. Enrollment in the Instituto, and the Escuela de Bellas Artes encouraged the establishment of hotels, restaurants and venues that complemented the lively cultural environment.

Street musicians

Street musicians

Today, the UNESCO World Heritage City is an international crossroad for culture, art and social engagement. It was recently named the Number One City in the World by Condé Nast Traveler’s 26th Annual Reader’s Choice Awards, beating out Budapest and Florence.

How did it warrant such a prestigious accolade? Although it has grown tremendously over the last decade, the city retains the charm and intimacy of a Mexican village. Farmers still travel to the town on firewood-laden burros, bands play music in the main jardin, and indigenous people journey to the Saturday market to sell their wares. The people of SMA exhibit warmth and hospitality to strangers. Although the city has over 10% expat population, it is still very much a Mexican town, retaining its rich traditions and leisurely pace of life.



On any given day of the week, you can attend concerts of traditional Mexican music, European baroque ensembles and American Jazz. Broadway plays compete with street religious festivals for your attention, and fireworks light up the night on a regular basis. Or, one can simply sit in the main jardin and gaze upon the Parroquia de San Miguel Arcangel, the 19th century parish church with a facade that evokes memories of Gaudi’s Sagrada Familia Basilica in Barcelona.

One of my favourite pastimes in SMA is sampling the cuisine. There are over 200 restaurants, and each one is unique. Hecho in Mexico, housed in an ancient stone building, serves traditional Mexican fare, as well as North American platters and rich, sumptuous salads. Hanson’s restaurant in the Guadalupe neighbourhood cooks some of the finest prime rib to be had anywhere, and Ma Mansion, open only on Sunday afternoons, serves up a three-hour, multi-course meal in a stunning mansion located on the hill above the centre of town.

During the SMA writer’s conference, there are several extracurricular events organized, including a Fiesta night in the Instituto Allende that features live music, dancing and fireworks. There are also excursions to some of the sites around the city, including colonial homes and the best bars. But the city abounds with so many sensory stimuli that simply walking the cobbled streets and gazing into art galleries, artisan shops and lively cantinas is a treat in itself. Most of the homes and hotels have some form of terrace where you can sit out in the evening, gazing at the million stars that grace the clear skies, sipping on a glass of red wine, and waxing philosophical with your friends.

SMA truly is a place of magic, and a city that I look forward to going back to year after year.

For more information about the conference, visit their main website.

Part One
Part Two

Guest Post: San Miguel Writers’ Conference by Gordon Cope – Part One

This is the first of a 3-part series written by Gordon Cope who has been previously featured on Reading Recommendations. Gordon has offered to give us an “insider’s look” into the writing conference held annually in San Miguel de Allende, Mexico.


This is my third year attending the San Miguel Writers’ Conference. I first became interested in the conference after my wife Linda and I moved full time to Manzanillo, Mexico, located on the Pacific Coast, south of Puerto Vallarta. San Miguel de Allende (SMA) is situated inland, approximately halfway between Guadalajara and Mexico City, and about 8-hours by car from Manzanillo. Friends in Mexico called my attention to the upcoming conference, and I was so impressed by the speaker lineup, the workshops and the city itself, that I immediately signed up.

Folk Art in San Miguel de Allende

Folk Art in San Miguel de Allende

2015 marked the 10-year anniversary of the conference. For the last decade, Susan Page and an army of volunteers have been organizing a five-day extravaganza that has earned international recognition for the quality of speakers, extracurricular activities and workshops. I will talk about the speakers and activities in part II and III of my guest blog, but first, I’d like to discuss the workshops.

I have been writing professionally for a long time; for the last 30 years, it has been my full-time job. In addition to working as a reporter for the Calgary Herald newspaper, I have also been a journalist and international correspondent specializing in the energy sector. As an author, I have had three travel memoirs traditionally published; A Paris Moment, So, we Sold Our House and Ran Away to the South Pacific, and A Thames Moment. In addition, I wrote a mystery thriller, Secret Combinations, that was released by a Canadian publisher.

However, I have had little formal education in regards to creative writing, and the opportunities to meet fellow practitioners and learn from experienced faculty members were important considerations in attending the conference. I wanted to learn firsthand the tips and techniques used by successful writers to enhance their work.


The conference offers over 50 workshops, ranging from fiction to non-fiction and poetry. They are organized into seven sessions spread out over five days. Each workshop is 90-minutes long, and features a lesson from a subject matter expert, exercises, and a Q&A opportunity.

One of my favourite workshops was Randall Platt’s talk on point-of-view, tense and voice. She spoke at length about how an author creates a character, delving into a fictional construct by asking simple questions about their gender, physical appearance, and then building on interpersonal relationships with family, spouse and friends until a character emerges that can convince the reader that they might actually exist. For our exercise, Randall had us imagine the Point of View of a major character in the story of the Titanic. I chose the iceberg.

The Business of Writing

Publishers are in the business of making money from books, and the sector is currently going through a massive upheaval as online retailers like Amazon undermine their ability to price their product. The knock-on effect upon authors is immense; few publisher will now take on an unproven writer unless they have some built-in notoriety or social platform.

The conference offers a sampling of workshops that inform and offer alternative publishing outlets, such as self-publishing. I attended a very informative session taught by Judith Gille, an independent author and bookstore owner. Gille outlined the Nuts and Bolts of Self-Publishing, walking attendees through what essentially the author needs to do to step into the shoes of the publisher. The publishing rights for A Paris Moment recently reverted to me, and I am in the process of launching the 10th Anniversary eBook edition of the travel memoir; what Judith had to say about successfully entering the ePublishing sector was both reassuring and immensely informative.

Agent Pitches

The conference offers another tremendous benefit; the opportunity to pitch your manuscript to an agent. For many years, I have been sending out query letters to agents in regards to several of my writing projects, to no avail. At every conference, however, I have had the chance to speak one-on-one to an established literary agent, learning how to overcome nervousness and communicate my enthusiasm for my work. This year, I spoke to Kimberly Cameron, of Kimberly Cameron & Associates. She was sufficiently impressed by my pitch for A War Child (a contemporary historical fiction set in occupied Paris during the Second World War), that she requested a copy of the entire manuscript for her consideration. I’ve got my fingers crossed!

For more information about the conference, visit their main website.

Part Two
Part Three