Tag Archives: publishing
Felicity Harley has been previously promoted on my other blog, Reading Recommendations, and was also a guest on this blog, writing about book clubs. I recently assisted Felicity by beta-reading and polish-editing this latest novel of hers and was struck by the fact that she told me she was referring to it as “Science AND Fiction” rather than the better-known genre of Science Fiction, so I asked her to explain why.
I’ve always been a fan of science fiction. My favorite writers are Herbert, Asimov, Bradbury and Orwell. I tend to like science fiction writers who explore what happens to human beings within the context of societies like ours which divorce us from our essential humanity. That’s why I like Farenheit 451, 1984 and The End of Eternity.
I think Herbert was quite prescient when he wrote Dune, because he imagined a planet and human beings living there who had to exist without water. In fact, he was one of the first authors to popularize the importance of preserving our planet’s ecology. In my mind as well, all these authors in one way or another, examine the relationships between religion, politics and power, and also between bureaucracy and government.
Because of my own fascination with these themes, and because I’m also a student of social science by training, I set out to write a quartet of novels placing a group of humans in a futuristic society that had failed to stop runaway climate change. I was fascinated by Naomi Klein’s book, This Changes Everything, and both she and her book served as inspirations to me.
Before reading Naomi Klein however, I had written what is now the fourth book in the quartet, My Quantum Life. This book was based on Michael Talbot’s book, The Holographic Universe. I have always been fascinated by the spiritual aspects of quantum physics, and Talbot’s book put the science of it all into perspective. It was very readable for a neophyte like myself, and it clicked.
The Burning Years is the first book in my four book series titled Until This Last and has just been published by Double Dragon Press. It explores a lot of hard science around space travel, bionics, and what is causing climate change. Besides Klein, my mentor for this book was Dr. Rachel Armstrong. On my site for the book you’ll find out all about her. She is a remarkable woman and a brilliant scientist. Dr. Rachel Chen, who in my novel is captain of the world ship Persephone, is based on how I imagine Armstrong to be. In my book, Persephone is a human ark; this actually exists, and is being conceived of right now by Rachel Armstrong and a team of scientists. It’s built around the idea of a renewable chemical technology called protocells. In the future, protocells could replace plastics and also animal products and will be essential in the preservation of our planet.
My ark explores Mars and Europa then sets sail for Alpha Centauri. The Australian scientist Wallace Thornhill was very helpful to me as I wrote these sections. He introduced me to an electrical universe and warm nuclear fusion technology, and I learned more from him on this subject than I ever thought I was capable. He would send me wonderful emails that took me several days to decode. His final words to me were, “Don’t worry about the science, leave that to scientists, use your writing as a springboard for your imagination.”
Besides hard science however, The Burning Years explores lots of ways we could live on a burnt out planet in the future, and it has two re-engineered transhuman beings who do just that. Introducing them as characters allowed me to explore the whole field of Artificial Intelligence and how two super humans, a male and female, might think and act. Again the social scientist at play. How would their biology, psychology and past influence them. How would their male and female genetics and gender-biases, play a part?
The arc of the plot is set against a U.S. government of plutocrats that has fled underground, who have saved themselves and a few others, the brightest and the best. Of course there are insurgents, and one of them is a female scientist who is heavily involved in geo-engineering the weather. The book takes place about sixty years in the future, just around the time when we may experience dramatic effects from climate change.
I deliberately did not want to write a dystopian book, but one that was full of hope based on our finer instincts as a species, our desire to return to smaller communities, and our current and future knowledge of technology. I am not good with violence, unlike George R.R. Martin who very skillfully explores all those dark sides of humanity and creates fabulous villains. My villains tend to be more grey and struggle internally with a lot of philosophical and moral dilemmas. My women are very strong, just like Martin’s, and my main female character, Inanna. would definitely be friends with Daeneyrs Targaryen.
Now I just have to figure out how to get people to take climate change seriously. I plan to use the book as a tool to get readers involved. The Burning Years is being published as an eBook by Double Dragon Publishing in April 2017. I chose Deron Douglas as my publisher because he loved the book on first read, and I just couldn’t take a chance waiting for other big-name SF publishers to give me an answer.
Please check out my site to buy the book and I would appreciate it if you review it on Amazon for me. And, while on my site, see how you can become involved with 350.org or any other organizations working to stop elements of man-made climate change, so as to keep our planet safe and livable in the future.
Felicity’s new novel has recently been promoted on Reading Recommendations. She is also a fellow-Bequian!
It may not seem like much of a step to you, but I did assign an ISBN this morning for a future print edition of my most recent novel, One Woman’s Island! And that’s cause for celebration in my books!
There’s still a lot of prep work to be done on designing and formatting the text, cover – front and back, as well as spine, and the actual printing and delivery … all of which also will cost $$$.
So, in an effort to help me pay for the cost of printing, I’m hoping that all those readers who wanted a print copy will now step forward to place a prepaid order for it before I actually do go to print. (I anticipate those print copies will be ready by May.)
We did this the last time when I printed copies of Island in the Clouds and it worked quite well. So let’s try again, shall we? Here’s how the prepayment orders work:
(All prices quoted are in Canadian dollars.)
The retail price of the book will be around $20., so I’m offering 3 levels of participation.
1) Prepay $20 and you will receive one signed copy of the book.
2) Prepay $35 and you will receive one signed copy of the book plus your name will be included in a list of sponsors that will appear in the final first edition of the print book.
3) Prepay $50 and you will receive one signed copy of a limited edition (only 18 copies) of the print book and your name will be included in a list of sponsors that will appear in the final first edition of print book.
Postage/shipping charges to send books to you will be extra and determined at the time of shipping.
If you are interested in helping me in advance to get my novel published in a print edition, please send an email to susanmtoy (at) gmail.com with the message “Pre-order Print” and let me know which level of payment you’d like to make. Also, if you have any further questions, I’ll be happy to answer them by email. (Please do not comment below.)
Thanks in advance to all Readers for your support, and for all the support you have already given to me and my publications! I wouldn’t be where I am now without ALL of you!!
It’s lovely, and somehow very fitting, to receive the first photo in the Where/Who in the World is Reading One Woman’s Island??? from none other than the great Seumas Gallacher – the author, reader, blogger, singer, supporter, pal, Billy Connolly-loving, Glaswegian-speaking, kilt-wearing Scotsman who now happens to live in Bahrain and Abu Dhabi!
Here he stands with my eBook cover visible on his eReader …
Says Seumas: From one island to another .. . from the shores of Bahrain to those of Bequia… Master Gallacher… proud owner of his Kindle copy of m’Lady, Susan’s masterpiece! Cheeeeeeeers 🙂
Thank you, Seumas!
Seumas has been a guest over at my other blog, Reading Recommendations, several times now. Head on over there to see what he’s been writing and publishing. I’ve read every book That Man has created and I tell you truthfully I’ve immensely enjoyed reading every single one!
The Yellow-Lighted Bookshop: a memoir, a history
by Lewis Buzbee
Published by Graywolf Press
Where to Purchase
(oh, so much more than just a list of links!)
This also is so much more than just a review or a recommendation of a book and why I am posting about it here on my main blog first before reblogging on Reading Recommendations. If you are an author or have worked in any aspect of the book business, you will want to read this book for a better understanding of how books have generally been sold (both to bookstores and through them) over past decades. It will also give you a concise history of the book trade in general – something I’ve railed on about for years! If you want to write and publish a book and then sell copies to readers, you need to know something about the business in order to be successful.
Recommended Books on the Publishing Business and Book Sales
The Long Tail: Why the Future of Business is Selling Less of More by Chris Anderson (Hyperion, 2008)
The Perilous Trade: Book Publishing in Canada 1946-2006 by Roy MacSkimming (McClelland & Stewart, 2007)
The Yellow-Lighted Bookshop: A Memoir, A History by Lewis Buzbee (Graywolf Press, 2006)
These reasons alone should be enough to read Lewis Buzbee’s book.
But, in case you need more …
Those of you who have read my bio know that before I began writing and publishing my own books, I spent my entire working life in and around selling books written by other authors and published by traditional publishers. I was a bookseller in Calgary (and even ran my own mail order book business for the few years I lived in Elkford, BC). Then I became a publishers’ sales rep for an agency that sold books for more than 30 Canadian-based publishers. Some of those publishers in turn were agents for US and UK-based publishers. That was from 1989-1994 and my territory was Southern Alberta and Southern Saskatchewan. I left that job to move to the Caribbean. In 2008, I was asked to come back and cover the territory of Alberta for the same agency. Among the books left in storage when I took over this job was Lewis’s. (It had been published in 2006 by Graywolf Press, St. Paul, MN, which was distributed at that time by Vancouver-based Douglas & McIntyre Ltd.) I kept the copy, mainly because it’s a beautiful paperback edition with an attractive cover, the US publisher had always published excellent literature, and the topic – a memoir about the book trade and books – was something that was of immense interest to me. I set the book aside and didn’t get around to actually reading it until after I’d quit my job as a sales rep, for the second time. I was still in the book business, but by that time I worked directly with other authors, concentrating on promoting rather than selling their books.
This book was a personal read for me, because as it turned out, Lewis’s experiences, both as a bookseller and as a sales rep, corresponded and intersected with my own. Lewis never mentions the publisher he represented, but at one point in the book he describes a “heated discussion” he’d had with a bookseller about a particular children’s book – and I realized I had also sold that same book for that particular publisher … and I still have the book in my collection! So it seems we were contemporaries, with Lewis representing in California and me in Alberta and Saskatchewan.
I brought my copy of The Yellow-Lighted Bookshop with me to Bequia in October and reread the book a few weeks ago. After that, I contacted with Lewis through social media and told him I would be writing this review. Aside from the professional connection I had with Lewis, I was reminded of how well-written the book is, and how important a book it is for any and all authors to read. I had previously included the title on lists of recommended reading I’d created for authors so they could learn more about the business. Now I’m even more adamant that you seek out and read this book. Here’s the main reason …
When I was a rep and had the opportunity to introduce myself to authors I was representing, they often said, “I didn’t know I had a sales rep.” I always wanted to reply, “How do you think your book has made it onto the shelves of bookstores and libraries?” The Yellow-Lighted Bookshop explains just that, and more. Finally! Sales reps like me had validation after long being the unsung heroes and heroines of the book business! Okay, maybe I’m getting a little carried away here, but you get the picture. Plus, as being in the business of repping has done for me, with this industry knowledge perhaps you’ll also be able to think of new ways to promote and sell your own books and those of other authors as we lose more and more of the traditional brick and mortar bookstores, and publishers’ sales reps go the way of the dinosaurs.
Aside from the personal aspects of this book, I also enjoyed reading it, twice, because it was so well written and interesting. It will appeal to readers in general and, like me, you’ll likely be checking out and reading the other books Lewis Buzbee has written. Here’s a link to his website. Besides, first and foremost, Lewis is a READER and The Yellow-Lighted Bookshop is filled with titles and authors’ names and the complete lifelong delight in reading good books. You’ll find yourself making lists.
Thanks, Lewis, for writing such an important book! (And did you also sell Nick Bantock’s Griffin and Sabine series?)
Tim Baker is a thriller/suspense writer, originally from Rhode Island, who now makes his home in Flagler Beach, Florida, where his series of nine novels is set. Tim is also a DJ on local Flagler Beach radio station, Surf 97.3, that we can pick up online here on Bequia – or anywhere else we happen to be in the world.
Tim was one of the first authors I promoted on my blog Reading Recommendations. And I’ve been reading and promoting his novels ever since. As he has done for me. (More importantly, he’s kicked my butt to keep me writing and publishing and I thanked him for that “encouragement” on the Acknowledgements page in my latest novel.)
Tim also shouts me out on his radio programs, mentioning that Dennis and I are listening from Bequia, and playing our favourite music.
I’ve had the great pleasure to beta-read several of Tim’s novels before they were published, and sometimes he even listens to my advice! I read Blood in the Water early last summer and offered my suggestions. Tim ePublished the book in September then printed copies shortly after that. I’ve been in the habit of ordering all print copies from Tim directly, so he signs them to me, and these books are now shelved between Jane Austen and Nick Bantock on the top shelf of my Wall of Words in the Bequia house. Tim offered to mail this new book to me on Bequia, since I’d already left Canada when it became available. I told him it likely would take forever to arrive/or never arrive at all, but I was surprised when the parcel was here within three weeks. Possibly a new record in mail delivery to this little corner of the Caribbean?
Anyway, once we did receive the book, Dennis claimed it to read next, since I had already read the book in beta format. Imagine my surprise when Dennis finished reading yesterday and said, “It was pretty neat that Tim mentioned Bequia in this book.”
Whaaa??? I said. Where was that?
He flipped through the end of the book and pointed to this exchange on p. 183:
“So what will you do now?” Val asked.
“There’s an island in the Grenadines called Bequia. I’m thinking of opening a dive shop there.”
“Sounds like a nice retirement plan,” Val said.
(Reprinted here with permission of the author!)
When I contacted Tim to tell him of our discovery, he said he’d added that after I had read the book as a little surprise. Not only was I surprised, but I was also quite chuffed with this new connection between Tim and me and the books we write.
Not that Tim’s characters haven’t already visited Bequia … In my contribution to Path of a Bullet, an anthology of short stories by Tim and writer-pals that he published in 2014, a few of Tim’s recurring characters, including Ike, visit the island of Bequia. Bequia Blues was written to bring Tim’s characters together in the setting where my novels take place. It was a lot of fun to write!
So … Did Dennis enjoy the book? Here’s his review:
“That was great!”
(He is an engineer, after all, and a man of few words, some of the time. Tim appreciated the comment when I told him.)
As for me, I thought this was the best novel of everything Tim has written – and I’ve enjoyed everything that I’ve read. But that was my conclusion long before our discovery of the mention in it of Bequia! Thanks, Tim! Now it’s the BEST BOOK EVER!!!
Well, maybe I exaggerate, but I do highly recommend this, as well as all of Tim’s books. Oh, and you can’t go wrong listening to Tim’s radio programs while you read, either …
When Jerome Martin posted a status update to Facebook saying he’d be giving a talk on this subject of using new media and storytelling at a conference, I asked if I would be allowed to post the link here on my blog. The topic sounded to be perfect for many of my blog readers. Jerome immediately gave his permission, so below is a link to the presentation he gave at the Banff Centre in April 2016.
I met Jerome in/around 2009 when I was first starting up Alberta Books Canada and considering new ways of spreading the word about books, their authors, and reading in general. To say that Jerome, at that early date, had already embraced the new technology surrounding book publishing is an understatement! I hadn’t met anyone in publishing up to that point who not only knew and used the existing technology, and was so enthusiastic about its possibilities, but who was also willing to listen to new ideas, create practical apps, and encourage thinking in directions that were completely off the beaten path of publishing – so far off the path that most publishers wouldn’t even consider abandoning their old traditional methods for fear of getting lost altogether. I loved getting together to talk with Jerome whenever I was in Edmonton and run my own ideas past him, because not once did he ever say, “No, you can’t do that, Susan”, as so many others had done before him. So, for that belief in me and for discussing ideas with me, I heartily thank Jerome for that!
And here’s Jerome’s story:
Jerome Martin is a publisher, photographer, storyteller, and speaker in Edmonton, Alberta, Canada. He was born in Maple Creek, Saskatchewan, on the edge of the Cypress Hills.
His company Spotted Cow Press publishes books, both paper and electronic, about the Great Plains of North America and its people. and his speaking and advisory work focuses on informal learning, communication and documentary photography.
Jerome’s most recent e-books are Cappuccino U: a new approach to working and learning and Golden Prairie, both available for free download at Spotted Cow Press.
(Follow Jerome on Facebook and Twitter for more information, ideas, and stories..)
Please watch the entire presentation here. Jerome’s blog post he refers to is here and in it you will find all thee links he refers to. (Here’s the link to the Banff Centre’s website he refers to as a good example of design.)
And … Jerome includes a quote from my favourite author, Wallace Stegner, at the very end of his presentation – what’s not to love about that???
IslandShorts has just finished preparing another ePublication of a long-form short story written by J. Michael Fay!
Human Powered Design is formatting the eBooks and will list them for sale online.
As with Michael’s other publications, once again the original cover art was provided by Karen Sloan of Wallflower Studio Art in Minden, ON.
The incomparable Rachel Small, Faultless Finish Editing, provided the final editing and proofing services.
Here’s the synopsis, Michael’s bio, and an advance-reader blurb:
Dan James graduates from college in 1967, a time of major conflicts in the US, when friends are being drafted to fight in the war in Vietnam. Dan, however, chooses to become involved in a different fight, one for human rights. He eventually heads north to Canada, a place where he can pursue a life working for the betterment of all. But also a place where the conflicts turn out to be much more personal.
Draft Dodger? is the next in Michael Fay’s series of long-form short stories, following Passion, The Whirlabout and The Healer. Along with Tenderness, all have been published by IslandShorts.
Michael Fay studied creative writing with W. O. Mitchell, Alice Munro, and Richard Ford and was also the founder of the Alexandra Writers’ Centre Society in Calgary. Michael lives in Minden, Ontario, with his wife, Dr. Fay Martin.
Sparkling dialogue and detailed scenes evoke the 1960s in this tale of tested loyalties – loyalties to friends, to country, and to ideals. The Vietnam War overshadows two young men’s dreams, from the white columns of the graduation prom to the red blood of cracked heads at a demonstration, as boyhood rivals Dan and Graham trade quips, barbs and lovers. ~ Penney Kome, author and journalist
From the perspective of today, we look back on the sixties with nostalgia … free love, demos in the streets, back to the land communes and so much more. But often, the vision, as seen through the six decades that separate us from those days, play tricks with our memory. Writer Michael Fay brings it all back into sharp focus showing us the disappointments, the illusions and tempered idealism that was in fact the reality in the season of Peace Love and Rock n Roll.
~ Jack Brezina, retired editor and publisher
We’re just waiting for a few more bits of information to come in before pressing the “Publish” button. If you’re interested in this new eBook by Michael Fay, please stay tuned and check back to this blog where we’ll be announcing the exact publishing date and availability online, once we have all the links and information.
Please check out the previous publications from IslandShorts by clicking here for the list of eBooks and where to purchase. As we like to say …
For a Great Read, Slip Into Our Shorts!
(If you would like to read to review any of our publications please contact me directly: susanmtoy (at) gmail.com)
Thanks so much to Allan Hudson who is featuring my writing, yet again, on his blog, South Branch Scribbler!
I’m very pleased to release the short story, Andrea’s Journey, into the wild of the internet. While I wrote the story many, many years ago, this is the first time it’s had a public showing. It has gone through a long dormant period and a number of revisions, as well as a complete rewriting and editing. I hope you enjoy this final version.
You may read Allan’s blog and Andrea’s Journey in its entirety here.
I have been a guest on Allan’s blog 5 times now! Allan has also now posted 4 of my short stories that might not otherwise have been read, had he not given me the platform of his blog. So thanks for all you do for other writers, Allan!
Allan Hudson has also been featured on my promotion blog, Reading Recommendations, and has always been very supportive of his fellow writers! I encourage you to visit Allan’s blog and read his writing, as well!
In marketing, it’s said that a message must be repeated 7 times before people take action. Writers, here’s your #5 reminder …
I was going to write a blog post about social media and how I’ve been paring down my use of it, because I’m finding it to be not all that social or the best media for me at the moment. After discussing with a fellow author how disappointing Twitter is (and she cleverly described T. as “like a 4-lane highway at rush hour with cars bumper-to-bumper. It makes me nervous”), I realized what bothers me isn’t not being able to navigate and use Twitter properly, but more the barrage of Tweeps who constantly tweet: Look at me! Aren’t I clever! Buy my book!
Now I’m not saying that I don’t do some self-promotion on there, but I do try to balance that with tweets of value to others, including promoting fellow authors. And I also offer, up front in my profile, what I am prepared do for other Tweeps. Most authors who have been following me lately have just listed their “bestselling” book that was recently published (how can anything be bestselling if it’s just been released? I ask), and nothing at all as to what value they bring to me in my following them. I reached the 2000 following limit the other day, so I’m now winnowing out those guilty people and looking for Tweeps who are truly interesting.
I’m not all about the numbers, you see. I’d rather have fewer friends/followers I can truly count on with whom I can have an actual dialogue on Twitter and Facebook. And no one is holding a gun to my head forcing me to use either Twitter or Facebook. If I don’t like what’s going on there, I can always use them less or just drop out altogether. No point in complaining about them, really.
So that, in a nutshell is my rant about social media.
But this had me thinking about another blog post I published, first on Aug. 16th, 2013, then reblogged on Oct. 24, 2013, and which I believe is due for a reprise here, because this all needs to be said until authors do get it and start promoting more than just themselves …
I completed a sentence that had been posted by a writing-related Page on Facebook: What I like most about writing is …
I answered with, “when a reader enjoys what I’ve written,” because that’s why we all write in the first place. Right? So readers will read, and be affected by, what we’ve written. The bonus comes when they tell us this is the case. If that’s not why we write then we might as well just maintain locked journals and diaries. Or burn everything we write.
I was the first to reply to this, so it wasn’t until I went back to the Page a day later that I noticed mine was the only comment that took readers into consideration. For the rest of the people posting – and there were very many! – it was all about them.
When I write The End.
When my writing goes well for the day.
When I sell a lot of copies.
You get the picture. It scares me that so many writers are that self-centred they can’t see the real value to writing anything is to move, to entertain, to persuade, to get a reaction, and just have their writing read. (And it doesn’t matter here whether the reader actually purchased a copy, downloaded it for free, or borrowed your book from the library – as long as they’re reading. We’re not talking about making big bucks from writing and that that should be the reason we write, because I think everyone realizes there’s very little money to be made from writing books. And, if you don’t realize that then I have a bridge in Brooklyn I’d like to sell to you … )
I know the vast majority of those who posted in reply to that original sentence will become published authors, or most likely will become self-published authors. I’m a self-published author. Unfortunately, most of those commentors will become the brand of self-published author we’ve all come to know and despise – The Self-Promoting Self-Published Author You know the ones – they spam you and mention their book, and only their book, every chance they get, and wonder why no one is buying. They never seem to wonder why no one is reading; they’re only interested in the money they’re not making.
So we end up with articles like this by Michael Kozlowski on GoodEReader: Self-Published Authors Are Destroying Literature. ALL self-published authors are painted with the same brush, because too many are making nuisances of themselves. I have stopped following and friending any author who only talks about themselves and their own book in social media. I will not follow anyone whose Twitter bio is only about their own book and not about any of the benefits they can offer to me – like, that they’re a READER, or a librarian, or a bookseller or someone else with a vested interest in books in general.
Sure, I want to know you’re a writer, but I also want to know that you read and will promote books by other authors. I will be more inclined to look at your website, in that case, check out what you’ve written, and – here’s the clincher … Help you to promote that book of yours by telling my friends about it, if I enjoy reading what you’ve written.
Now we’ve come full circle as to why readers’ enjoyment in our writing should be of the utmost importance to all writers and authors. If readers like what they read they will share it with their friends. The very best promotion anyone can ever ask for is word-of-mouth, because it means our readers are endorsing us and want to share our work with their friends, and it’s not just us blowing our own horns all the time. Word-of-mouth is also the most flattering form of promotion, far better than any review in a newspaper most new readers will never see. And it gets rid of any perceived need to self-promote, ad nauseum.
This word-of-mouth business doesn’t just happen overnight, either, so I suggest that, along with restraint, writers and authors need to learn to be patient. I first published my eBook in Feb. 2012 and the print edition in June of that year, and I’m still finding new readers who haven’t previously heard of me or my book. But I’ve been quietly making connections here and there and one thing has been leading to another, so I’m very pleased with the readership base I’ve developed, and how many of those people have asked when the next book will be available. I keep writing, and I continue to publish the work of other writers and help them promote their work. And I’ve tried to do it in a way that, I hope, has been helpful to other writers/authors and their readers by not making it all about me and my book.
I’ve recently “met” online a couple of other self-published authors. (I read and enjoyed their books, wrote reviews, and heard back from them both. We’ve made a connection and are now discussing promoting and promotion and I believe some good things are going to be coming out of this that will benefit all of us.) I’ve made the suggestion to one of these authors that, if every writer/author out there were to help five others promote their work (so for every tweet about their own book they would tweet five times about five different authors) this would be a wonderful world! You must have read something recently that you want to talk about to everyone you know. Maybe you’ve discovered a new writer whose book you just couldn’t put down, or perhaps you have a writer friend who is struggling to get the word out, because they don’t have as many friends on Facebook as you do. It could also be an established author whose work you admire. Even established authors still need promotion, after all.
So I’m putting my money where my typing fingers are and am proposing to begin promoting five other authors myself. This was my business, after all, when I ran Alberta Books Canada. One of the authors I promoted then said that if I could find new readers for his writing he would be happy, so that became my mandate – finding new readers. At that time, I was working to promote many authors, primarily to libraries, and the authors paid me for displaying their books at conferences. What I propose now is to promote books by authors because it’s a good thing to do! If I promote these authors now, somewhere down the line someone else will promote my book. And all of this promotion will be done for free with no expectation of receiving anything in return. After all, what goes around, comes around. That’s Karma, man!
Please join me! (Readers, you too can get in on this idea …) If you know of a deserving book, tell your friends about it. Write a review, mention in your status update, Tweet about it. (As Tim Baker said in a recent blog post, Write a Review — Independent Authors Everywhere Will Thank You) Do that for five authors for a while. Then change over to another five authors. And continue. Your friends will be grateful for the reading recommendations. The authors will be grateful for the promotion.
And … it won’t be all about you any longer, so your friends will begin to return.
(Since Nov. 18, 2013, I have followed my own advice and began publishing a promotion blog, Reading Recommendations and a blog of reviews of Reading Recommendations-promoted Authors, reading recommendations reviewed. Check them out!)
While contest judges may not have considered my novel worthy enough to make their shortlist, I’ve just received far-better validation from a friend who offered to read and write an advance review I can now use in pre-publication promotion.
And what validation and praise it is, coming from an author who also intimately knows Bequia!
Thanks to Felicity Harley who I promoted previously on Reading Recommendations, and who sent me congratulations on Reading Recommendations‘ anniversary, and wrote a guest post about her two book clubs, and wrote a fabulous review on Amazon of Island in the Clouds … which is how we first “met” online, and since then in person this year while we were both on Bequia.
Here’s what Felicity has to say about One Woman’s Island:
Among its other virtues, One Woman’s Island beautifully captures the spirit of being on the island of Bequia. I also enjoyed the fact that the author’s ear for the local dialogue is faultless.
Besides its lush and exotic setting however, throughout its pages, the book accurately and with pathos reflects the end of an unsatisfactory marriage for narrator Mariana, who is constantly searching for something meaningful to take its place.
There are a slew of interesting characters in the book as well, including a talking parrot and the visitor from hell.
As Mariana tries to sort out her own life, she takes a young girl, Verity, and her two children under her wing, and is criticized about her “plan” in no uncertain terms by Al, one of the die-hard ex-pats who live there:
“I’m so sick and tired of you do-goodnik, butt-in-ski foreigners who come here with your socialist attitudes thinking life should be a bed of roses for everyone in the world. It’s not. What you don’t understand about Bequia is while it doesn’t have an organized social safety net like what you’re used to in pinko Canada, the people here do generally look after their own—maybe not to the level of your satisfaction, but there haven’t been any cases of people starving to death from neglect on this island lately, so far as I know. Am I right, Doc?”
Besides having interesting and believable characters, there is also a fast-moving plot that keeps the reader engaged, including several murders taking place over the course of the winter months Mariana is staying on Bequia.
Perhaps the heart and soul of the book is summed up at the end by Mariana and Tex, a fast-talking, larger-than-life guy with a heart of gold, and one of my favorite characters:
“When I came here last October, I thought Bequia was going to be paradise, Tex,” I said quietly.
“Here’s how I see it: any place you are can be paradise. It’s all in your mind; it’s whatever you want it to be.”
With its complex characters, fast-moving plot, authentic setting and underlying seriousness of questions so skillfully raised, One Woman’s Island is a book that should garner a wide readership, one far larger than those who are already familiar with Bequia.
But for those of us like myself who are familiar with the setting, we’ll enjoy the island the author presents in her book as one we’ve come to know and love, despite its all-too-human complexities.
I’d better get cracking and prepare that MS for ePublication! And I now have my “quotable quote” with that second-last paragraph. It’s perfect for advertising copy!!
Thanks, Felicity! I just can’t thank you enough!