Tag Archives: publishing

A-R International: Susan M. Toy

This promotion post is dedicated to the memory of my sister, Betty Bridgman, an avid reader all her life, an enthusiastic supporter of my writing and publishing career, and one of my biggest fans.

Susan M. Toy
Authors-Readers International

Photo credit: Monique de St-Croix

I have been a bookseller, an award-winning publishing sales representative, a literacy teacher, and a promoter of fellow authors and their books through my company, Alberta Books Canada. I am also an author and publisher, under my imprints, IslandCatEditions and IslandShorts. Through Alberta Books Canada, I represented authors directly, helping them find promotion for themselves and their books, seeking out new readers, and assisting them in making wise career decisions.

I championed Alberta authors in particular, singing their praises throughout the province and online to the rest of the world, and displayed books for authors and publishers at Alberta library conferences. I continue to promote authors and good books in general, throughout the world and online, with my blog, Reading Recommendations. I created the writing contest, Coffee Shop Author, have sat on the Board of Directors of the Fernie Writers’ Conference, served as a member of the Calgary Distinguished Writers Program steering committee, and was a member of the board of directors for the Writers’ Guild of Alberta. I now concentrate on my own writing and publishing, dividing my time between Canada and my home in the Caribbean.

~

For as long as I know myself … as they say on Bequia, I have been a reader and wanted to be a writer. I was fortunate to have been born in Toronto, in The Beach neighbourhood, where the Toronto Public Library branch was a short walk along Queen Street from our house and only a block away from my grandparents’ house. My mother was an immigrant, along with my grandparents, and spoke and read and wrote in three languages – English, French and Flemish. She wasn’t highly educated, having to leave Grade 9 (at Jarvis Collegiate) due to her health, but she had one more grade of education than Dad, who had to leave school during the depression to work and make money for his family. By the time I came along in 1953, my parents were doing much better financially and, with the help of Grandma, were able to buy a house in The Beach and a cottage north of Toronto on South Lake near Minden. I remember my mother reading books, when she wasn’t knitting, and I have a distinct memory of her standing next to the running washing machine reading a very thumbed-through paperback while she waited for the wash cycle to end. It wasn’t until much later, when I could read myself, that I realized the book was the 1957 novel Mandingo – quite racy at the time! Dad read the newspaper. Every day. And summers spent up at the cottage were filled with long and lazy days of reading books. My younger sister and I were allowed to buy a new comic book every Saturday when we went into town for groceries. I always bought Classics Illustrated, and I still have some of those in my own library! Another book I’ve kept with me since winning it in 1967 upon graduation from Glen Ames Senior Public, is a thesaurus. I’m thinking now that my teachers at the time must have known something more about me than I knew of myself …
In high school, a few of my teachers were extremely influential in my decision to study English Literature at Queen’s University at Kingston. I tried my hand at creative writing both in high school and university, but didn’t get far with that then.

Photo credit: Betsy Greenlees

And I also became just slightly distracted by this guy … who has always built bookshelves for me in every place we’ve lived. In a final seminar class my last year at Queen’s, I was the only student who turned up, so the professor and I had a lengthy private chat. He asked what I planned to do with my degree in English. “Oh, probably work in a bookstore,” I told him. And, within days of moving out to Calgary with Dennis in 1978, I managed to land a job – the only one I applied to! – and began working in … a bookstore! And I never looked back. My entire working career has been concentrated on selling books in stores (and my own mail order business, End of the Road Books!), representing publishers to booksellers and libraries, promoting authors, hanging out with authors, organizing and attending “book things” as Dennis always called the many events that were held, giving talks about authors and their books, speaking about promoting books and authors, and then writing and publishing my own books and also publishing books by other authors. Oh, and READING BOOKS! It’s been a totally satisfying life for this particular book-lover, let me tell you!

So this current promotion of authors who I’ve met and/or worked with along the way during my career is a continuation of my belief that we are all in this game together, and we need to be cognoscente of the fact that, if we expose our own readers to the work of other authors, we will broaden the entire reader-base for books in general. The difference in this current Authors-Readers International promotion is the “International” bit. I’ve set my sights on worldwide domination of the book world! (Just kidding! But it does sound like a pretty cool aspiration, doesn’t it?)

~

That Last Summer

I’m listing here the novella I wrote and published as an eBook only in 2013, because the story is based on a summer during the 60s at a cottage that is quite similar to the one my family owned for more than forty years.

I have also written and published two novels in the Bequia Perspectives series so far: Island in the Clouds and One Woman’s Island. I am currently working on writing two more novels in this series as well as a collection of short stories and novellas.

Elisabeth Pauline Bridgman
May 6, 1941-Dec. 23, 2019

For more information about Susan M. Toy, her writing, books, publishing, other blogs, and promotion of other authors, please see her website. (Actually, it’s THIS website! So you can just click on any of the pages listed at the top of this post.)

Seumas Gallacher … Writing my autobiography – the best therapy ever

Here’s a guest post from one of my favourite authors, Seumas Gallacher, published here on the occasion of the release of his new autobiography, STRANGELY I’M STILL HERE! I purchased and read a copy immediately upon its being listed, and I include my review here of the book, as well as an original piece that Seumas has provided to me for this guest blog post. (Links to purchase a copy of this book and all others written and published by him will be found at his own blogsite: Seumas Gallacher – Author

This is my review of Strangely, I’m Still Here: An Autobiography

What A Life!

I previously read everything Seumas Gallacher had written and published – fiction, non-fiction, poetry. So I was very motivated to purchase and read his autobiography and to find out more about this author whose work I had enjoyed so much. I thought I already knew quite a bit about the man, having followed him for many years on Facebook and through reading his blog. But this new book proved to be so much more, and gave me great insight into the life path and experiences, around the world as it turned out, that led to Gallacher becoming such an accomplished and engaging author.

If you have read anything previously published by Seumas Gallacher then you will definitely be interested in this autobiography. If you are new to his writing though and read Strangely, I’m Still Here first, and enjoy it as I’m sure you will, I’m positive you will want to read all his other books, too!

Seumas Gallacher’s Guest Blog Post:

Just over six weeks ago, I self-published my life story, STRANGELY, I’M STILL HERE, on Amazon Kindle. As with my other writing exploits, the Jack Calder crime thriller series, my book of poetry, and my author’s guide to publishing, an immense sense of pleasure engulfed me when I had finished the manuscript. However, the aftermath has been decidedly different with the memoir.

The ‘pink cloud’ sensation of elation has yielded to a much stronger feeling of having written something truly for myself and it is having a profound effect on me. When I broached the thought of penning my own experiences, I had no inkling of the cascading torrent of ‘after-light’ that has followed.

I find my mind rummaging back though many of the passages in the book, with powerful re-visitations of feelings and memories which had all but disappeared. Some of the people involved have long since passed away, but I have a deeper sense of how much gratitude I owe to their presence in my story.

Even the apparently negative episodes provided marvellous life lessons, which I only now have come to appreciate and respect at this distance in time. I also understand how much impact certain events and interludes with others have had on shaping my thinking and my attitude to living.

Although all of it was, and still remains, highly personal to me, it has been said many times before that nothing in this universe is absolutely brand new. It has all been seen, done and felt before. I am but a tiny speck on the planet, amongst billions of ‘fellow-specks’, whom I regard in a much different way than when I was a young man.
I have grown up. Older? Yes. Wiser? Who knows. Certainly, more experienced. Writing the memoir was the best therapy for life that I could ever have imagined, and I heartily recommend the exercise to anyone, writer or non-writer – I think they will much the richer for it.

 

I can never resist a man in a kilt!

Print copies of my books … the NEW way!

Both my Bequia Perspectives Novels are now available
worldwide from Amazon in print editions!

All links to purchase both titles in print or in eBook formats
(or to borrow from libraries) can be found here:
Bequia Perspectives Novels

Here’s the background as to how all this came about …

In Feb. 2012 I published the first eBook edition of Island in the Clouds. It had been my idea at the time that we should ePublish first, work out any bugs in the files, create a market for the writing and for a print edition, and then go to print once a demand was established. So I didn’t print Island in the Clouds until June 2012, and at that time I went with a traditional publishing company to do so. This cost me a considerable amount of money up front, leaving me in proud possession of 800 copies of the book – which I then had to store, distribute, and sell myself. Five-and-a-half-years later, I still have about 200 copies left in various locations. I have not been paid at all by several places that took copies on consignment to sell for me, and I have no reliable means of selling those remaining copies. Fortunately, I sold enough of the original 800 to cover my expenses of having the books printed, but I’m nowhere near having made enough money from this enterprise to pay myself back for everything I put into writing, promoting and selling the book by myself.

But then we do it for the love of it, right? This was never intended to be a money-making enterprise. But it was also never intended to be a money-LOSING enterprise …

When it came time to think about printing One Woman’s Island, I had to consider long and hard whether I wanted to travel down that same road. First of all, I did not have the several thousand dollars I knew a traditional printing was going to cost. Plus, I really didn’t want to have to store copies anywhere, or find a new distributor for this new book.

Fortunately for me, I received a blog post from Calgary author, Brian Brennan (who I have promoted on Reading Recommendations), in which he explained how he went about reprinting books of his that had been declared out of print by the original publisher. He worked with our mutual eBook formatter, Human Powered Design (Gina McCreary), to create the print files, and then went to a self-publishing service to have copies printed POD (print-on-demand). I reblogged Brian’s explanation of all this here: Brian Brennan – 3 reprints now available

So, I decided to look into this myself for my own print books. In the meantime, Gina had heard of a new service being offered by Amazon – Kindle Direct Publishing Paperback Beta Program – that we could sign into through our existing eBook accounts (which Gina has always maintained for me) and it seemed as though it was exactly what I was looking for. I didn’t need to pay anything upfront to Amazon, Gina was able to create the necessary print files and cover designs from my original eBook files and look after the listings for me, and I will receive payment from Human Powered Design for sales made, along with any sales of eBooks, every month, as I have done all along since first listing my eBooks in Feb. 2012.

Plus … I now have the benefit of WORLDWIDE distribution of my print books!! That, to me, is the biggest benefit of printing books in this way.

Here’s another article I discovered about this new service that ran on The Digital Reader site.

More teasers from One Woman’s Island!

After my Cover reveal!! of the forthcoming print version of my novel, One Woman’s Island, I thought I’d tease readers a little more with some of the additional material I’ve added to this new edition – in the “praise for the eBook”, updated “dedication” and “acknowledgements” pages … some of you will recognize a few familiar names here!

Praise for the eBook edition of
One Woman’s Island

One Woman’s Island beautifully captures the spirit of being on the island of Bequia. The author’s ear for local dialogue is faultless. With its complex characters, fast-moving plot, authentic setting and the underlying seriousness of the questions it so skillfully raises, One Woman’s Island, is a book that should garner a wide readership, one far larger than those who are familiar with Bequia. ~ Felicity Harley, author of The Burning Years

Susan Toy’s new novel One Woman’s Island is: lively; startling; creepy; funny; shocking; sad; insightful – and engaging from start to finish. ~ Ann Ireland, prize-winning author of novels, A Certain Mr. Takahashi, The Instructor, Exile and The Blue Guitar

With a sharp eye for description and a well-tuned ear for dialogue (and local dialect!) Toy tells how a recently widowed Canadian woman moves to the tiny Caribbean island of Bequia to find solace, only to discover it’s not quite the paradise she hoped for. A tasty meal of storytelling that comes with complementary recipes! ~ Brian Brennan, Postmedia newspapers best-selling author

Toy brings the strands together artfully toward the close, and I was left with some tantalizing memories of my own of a different island, in a different place, in a different era, but with so many delicious similarities… a most entertaining read… ~ Seumas Gallacher, author of The Jack Calder series of crime thrillers

One Woman’s Island speaks not only to the seclusion of island life, but the woman herself. Mariana is running toward, as well as running away from her past. What awaits her on the island of Bequia is everything and nothing that she expected. ~ Cheryl Schenk, author of The Stibil Forest Adventures

Another thoughtful book from Susan Toy, set in the Caribbean island of Bequia. This is perfect weekend reading when you have the time to just enjoy the read and let your imagination go. ~ Roughseasinthemed, blogger

Whether intentional or not, there seems to be a huge character quietly looming across your book series: Bequia, the island herself. Each book, even though different, reveals more and more about her as a character and a force. Quite cool. ~ Philosopher Mouse of the Hedge, blogger

Toy creates complex and flawed characters who keep your attention as they move the story forward. She brings Bequia to life with her descriptive detail and an intimate understanding of the local culture. Reading One Woman’s Island, as well as Toy’s earlier Bequia Perspectives novel, Island in the Clouds, is an immersive experience that leaves you feeling like you’ve visited the island, dined with the locals and strolled the beaches. And what a treat to find recipes for local dishes interspersed among the chapters. ~ J.P. McLean, author of The Gift series

Dedication Page

For Dennis, my personal property manager

And in memory of friends who knew Bequia:
Ken Bergwall, Ian Bowie, Bruce Boyce, Kevin Cameron, Kathy Carpenter,
Frank Dufek, Rodger Durham, Derek Hayes, Jim Johnston,
Mariann Palmborg, Jean Poisson, Bill Sadler

 

Acknowledgements

There are many people who helped me along the way of writing and preparing this novel for publication, but none quite as persistent in their “encouragement” than my editor, Rachel Small, and my author-pal and personal DJ, Tim Baker. It really was never nagging on your part (because when it did become nagging I would tune you out), but I do now appreciate your persistence in reminding me to “just write and get the damn thing finished!” I truly, and likely, would never have managed to get to this point without both of you.

Thanks to Regina McCreary of Human Powered Design for formatting, design work, and sales listings for all IslandCatEditions publications.

Thanks to Pam Ferrell and “Snowy” Elvin Augustus Lewis for always coming up with the most appropriate words of local wisdom.

Thanks to Betty Jane Hegerat for sorting out my good ideas from the bad.

Thanks to fellow-author and Bequia-dweller, Felicity Harley, for deep insight into our shared locale.

Thanks to my extensive writing/blogging/publishing community, both online and in person, for the support and friendship you have provided me with over the years. You are all so much more than just a network–you are family!

Unfortunately, I sadly lost two of you during this past year … Roughseasinthemed and Lockie Young – your support and enthusiasm for my writing was always greatly appreciated and you will both be sorely missed!

And, finally, but most importantly, thank you to all readers! Thank you for taking the time to read what I write, and for telling me you enjoyed what you read! That means more to me than anything else in this process of creating and producing a book. And the fact that so many of you have also become friends is just icing on the cake (or coloured streamers on a bicycle’s handles, as JP McLean would say) and definitely encourages me to keep writing!

Cover reveal!!

But only because I’m so excited to show everyone what we’ve been working on … and I am the publisher as well as the author, after all, so I get to post this in advance.

I discovered that WE HAVE THE TECHNOLOGY! So I was able to create a jpeg from the PDF file:

You should be able to zoom in on it to read everything written on the back cover.

Thanks to my very clever cover designers – Jenny Ryan for the original front cover (and the full cover spread of the print edition of Island in the Clouds) and to Gina McCreary of Human Powered Design for guiding me through the spine, back cover, and adding that lovely bullet to the front of the new print edition of One Woman’s Island! You both helped my imagination become reality!

Have you read my writing?

I’m just curious as to how many readers have actually read what I’ve written and how many of those readers have read more than just one piece of writing I’ve published so far. So I created this poll and would appreciate it if you would click on whatever you’ve read. And please leave any comments below as well, if you’d like to say something about my writing. I’m all ears!

Here are links to everything listed in the poll:

Island in the Clouds
One Woman’s Island
That Last Summer
Links to 6 Short Stories

Thank you to all readers! You are the reason we writers write.

Guest post: Felicity Harley on Why I refer to my SF novel as Science AND Fiction

Felicity Harley has been previously promoted on my other blog, Reading Recommendations, and was also a guest on this blog, writing about book clubs. I recently assisted Felicity by beta-reading and polish-editing this latest novel of hers and was struck by the fact that she told me she was referring to it as “Science AND Fiction” rather than the better-known genre of Science Fiction, so I asked her to explain why.

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I’ve always been a fan of science fiction. My favorite writers are Herbert, Asimov, Bradbury and Orwell. I tend to like science fiction writers who explore what happens to human beings within the context of societies like ours which divorce us from our essential humanity. That’s why I like Farenheit 451, 1984 and The End of Eternity.

I think Herbert was quite prescient when he wrote Dune, because he imagined a planet and human beings living there who had to exist without water. In fact, he was one of the first authors to popularize the importance of preserving our planet’s ecology. In my mind as well, all these authors in one way or another, examine the relationships between religion, politics and power, and also between bureaucracy and government.

Because of my own fascination with these themes, and because I’m also a student of social science by training, I set out to write a quartet of novels placing a group of humans in a futuristic society that had failed to stop runaway climate change. I was fascinated by Naomi Klein’s book, This Changes Everything, and both she and her book served as inspirations to me.

Before reading Naomi Klein however, I had written what is now the fourth book in the quartet, My Quantum Life. This book was based on Michael Talbot’s book, The Holographic Universe. I have always been fascinated by the spiritual aspects of quantum physics, and Talbot’s book put the science of it all into perspective. It was very readable for a neophyte like myself, and it clicked.

The Burning Years is the first book in my four book series titled Until This Last and has just been published by Double Dragon Press. It explores a lot of hard science around space travel, bionics, and what is causing climate change. Besides Klein, my mentor for this book was Dr. Rachel Armstrong. On my site for the book you’ll find out all about her. She is a remarkable woman and a brilliant scientist. Dr. Rachel Chen, who in my novel is captain of the world ship Persephone, is based on how I imagine Armstrong to be. In my book, Persephone is a human ark; this actually exists, and is being conceived of right now by Rachel Armstrong and a team of scientists. It’s built around the idea of a renewable chemical technology called protocells. In the future, protocells could replace plastics and also animal products and will be essential in the preservation of our planet.

My ark explores Mars and Europa then sets sail for Alpha Centauri. The Australian scientist Wallace Thornhill was very helpful to me as I wrote these sections. He introduced me to an electrical universe and warm nuclear fusion technology, and I learned more from him on this subject than I ever thought I was capable. He would send me wonderful emails that took me several days to decode. His final words to me were, “Don’t worry about the science, leave that to scientists, use your writing as a springboard for your imagination.”

Besides hard science however, The Burning Years explores lots of ways we could live on a burnt out planet in the future, and it has two re-engineered transhuman beings who do just that. Introducing them as characters allowed me to explore the whole field of Artificial Intelligence and how two super humans, a male and female, might think and act. Again the social scientist at play. How would their biology, psychology and past influence them. How would their male and female genetics and gender-biases, play a part?

The arc of the plot is set against a U.S. government of plutocrats that has fled underground, who have saved themselves and a few others, the brightest and the best. Of course there are insurgents, and one of them is a female scientist who is heavily involved in geo-engineering the weather. The book takes place about sixty years in the future, just around the time when we may experience dramatic effects from climate change.

I deliberately did not want to write a dystopian book, but one that was full of hope based on our finer instincts as a species, our desire to return to smaller communities, and our current and future knowledge of technology. I am not good with violence, unlike George R.R. Martin who very skillfully explores all those dark sides of humanity and creates fabulous villains. My villains tend to be more grey and struggle internally with a lot of philosophical and moral dilemmas. My women are very strong, just like Martin’s, and my main female character, Inanna. would definitely be friends with Daeneyrs Targaryen.

Now I just have to figure out how to get people to take climate change seriously. I plan to use the book as a tool to get readers involved. The Burning Years is being published as an eBook by Double Dragon Publishing in April 2017. I chose Deron Douglas as my publisher because he loved the book on first read, and I just couldn’t take a chance waiting for other big-name SF publishers to give me an answer.

Please check out my site to buy the book and I would appreciate it if you review it on Amazon for me. And, while on my site, see how you can become involved with 350.org or any other organizations working to stop elements of man-made climate change, so as to keep our planet safe and livable in the future.

Felicity’s new novel has recently been promoted on Reading Recommendations. She is also a fellow-Bequian!

Announcing … that first step towards a print edition!

onewomanisland-cover-draft-3

It may not seem like much of a step to you, but I did assign an ISBN this morning for a future print edition of my most recent novel, One Woman’s Island! And that’s cause for celebration in my books!

There’s still a lot of prep work to be done on designing and formatting the text, cover – front and back, as well as spine, and the actual printing and delivery … all of which also will cost $$$.

So, in an effort to help me pay for the cost of printing, I’m hoping that all those readers who wanted a print copy will now step forward to place a prepaid order for it before I actually do go to print. (I anticipate those print copies will be ready by May.)

We did this the last time when I printed copies of Island in the Clouds and it worked quite well. So let’s try again, shall we? Here’s how the prepayment orders work:

(All prices quoted are in Canadian dollars.)
The retail price of the book will be around $20., so I’m offering 3 levels of participation.

1) Prepay $20 and you will receive one signed copy of the book.
2) Prepay $35 and you will receive one signed copy of the book plus your name will be included in a list of sponsors that will appear in the final first edition of the print book.
3) Prepay $50 and you will receive one signed copy of a limited edition (only 18 copies) of the print book and your name will be included in a list of sponsors that will appear in the final first edition of print book.

Postage/shipping charges to send books to you will be extra and determined at the time of shipping.

If you are interested in helping me in advance to get my novel published in a print edition, please send an email to susanmtoy (at) gmail.com with the message “Pre-order Print” and let me know which level of payment you’d like to make. Also, if you have any further questions, I’ll be happy to answer them by email. (Please do not comment below.)

Thanks in advance to all Readers for your support, and for all the support you have already given to me and my publications! I wouldn’t be where I am now without ALL of you!!

One Woman’s Island – in Bahrain!!!

It’s lovely, and somehow very fitting, to receive the first photo in the Where/Who in the World is Reading One Woman’s Island??? from none other than the great Seumas Gallacher – the author, reader, blogger, singer, supporter, pal, Billy Connolly-loving, Glaswegian-speaking, kilt-wearing Scotsman who now happens to live in Bahrain and Abu Dhabi!

Here he stands with my eBook cover visible on his eReader …

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Says Seumas: From one island to another .. . from the shores of Bahrain to those of Bequia… Master Gallacher… proud owner of his Kindle copy of m’Lady, Susan’s masterpiece! Cheeeeeeeers 🙂

Thank you, Seumas!

Seumas has been a guest over at my other blog, Reading Recommendations, several times now. Head on over there to see what he’s been writing and publishing. I’ve read every book That Man has created and I tell you truthfully I’ve immensely enjoyed reading every single one!

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The Yellow-Lighted Bookshop by Lewis Buzbee

yellow-lightedbookshop

The Yellow-Lighted Bookshop: a memoir, a history
by Lewis Buzbee
Published by Graywolf Press
Where to Purchase
(oh, so much more than just a list of links!)

This also is so much more than just a review or a recommendation of a book and why I am posting about it here on my main blog first before reblogging on Reading Recommendations. If you are an author or have worked in any aspect of the book business, you will want to read this book for a better understanding of how books have generally been sold (both to bookstores and through them) over past decades. It will also give you a concise history of the book trade in general – something I’ve railed on about for years! If you want to write and publish a book and then sell copies to readers, you need to know something about the business in order to be successful.

3. Learn something about how the entire publishing and bookselling business works

Recommended Books on the Publishing Business and Book Sales
The Long Tail: Why the Future of Business is Selling Less of More by Chris Anderson (Hyperion, 2008)
The Perilous Trade: Book Publishing in Canada 1946-2006 by Roy MacSkimming (McClelland & Stewart, 2007)
The Yellow-Lighted Bookshop: A Memoir, A History by Lewis Buzbee (Graywolf Press, 2006)

These reasons alone should be enough to read Lewis Buzbee’s book.
But, in case you need more …

Those of you who have read my bio know that before I began writing and publishing my own books, I spent my entire working life in and around selling books written by other authors and published by traditional publishers. I was a bookseller in Calgary (and even ran my own mail order book business for the few years I lived in Elkford, BC). Then I became a publishers’ sales rep for an agency that sold books for more than 30 Canadian-based publishers. Some of those publishers in turn were agents for US and UK-based publishers. That was from 1989-1994 and my territory was Southern Alberta and Southern Saskatchewan. I left that job to move to the Caribbean. In 2008, I was asked to come back and cover the territory of Alberta for the same agency. Among the books left in storage when I took over this job was Lewis’s. (It had been published in 2006 by Graywolf Press, St. Paul, MN, which was distributed at that time by Vancouver-based Douglas & McIntyre Ltd.) I kept the copy, mainly because it’s a beautiful paperback edition with an attractive cover, the US publisher had always published excellent literature, and the topic – a memoir about the book trade and books – was something that was of immense interest to me. I set the book aside and didn’t get around to actually reading it until after I’d quit my job as a sales rep, for the second time. I was still in the book business, but by that time I worked directly with other authors, concentrating on promoting rather than selling their books.

This book was a personal read for me, because as it turned out, Lewis’s experiences, both as a bookseller and as a sales rep, corresponded and intersected with my own. Lewis never mentions the publisher he represented, but at one point in the book he describes a “heated discussion” he’d had with a bookseller about a particular children’s book – and I realized I had also sold that same book for that particular publisher … and I still have the book in my collection! So it seems we were contemporaries, with Lewis representing in California and me in Alberta and Saskatchewan.

I brought my copy of The Yellow-Lighted Bookshop with me to Bequia in October and reread the book a few weeks ago. After that, I contacted with Lewis through social media and told him I would be writing this review. Aside from the professional connection I had with Lewis, I was reminded of how well-written the book is, and how important a book it is for any and all authors to read. I had previously included the title on lists of recommended reading I’d created for authors so they could learn more about the business. Now I’m even more adamant that you seek out and read this book. Here’s the main reason …

When I was a rep and had the opportunity to introduce myself to authors I was representing, they often said, “I didn’t know I had a sales rep.” I always wanted to reply, “How do you think your book has made it onto the shelves of bookstores and libraries?” The Yellow-Lighted Bookshop explains just that, and more. Finally! Sales reps like me had validation after long being the unsung heroes and heroines of the book business! Okay, maybe I’m getting a little carried away here, but you get the picture. Plus, as being in the business of repping has done for me, with this industry knowledge perhaps you’ll also be able to think of new ways to promote and sell your own books and those of other authors as we lose more and more of the traditional brick and mortar bookstores, and publishers’ sales reps go the way of the dinosaurs.

Aside from the personal aspects of this book, I also enjoyed reading it, twice, because it was so well written and interesting. It will appeal to readers in general and, like me, you’ll likely be checking out and reading the other books Lewis Buzbee has written. Here’s a link to his website. Besides, first and foremost, Lewis is a READER and The Yellow-Lighted Bookshop is filled with titles and authors’ names and the complete lifelong delight in reading good books. You’ll find yourself making lists.

Thanks, Lewis, for writing such an important book! (And did you also sell Nick Bantock’s Griffin and Sabine series?)

My personal copy with that "questionable" rabbit book.

My personal copy with that “questionable” rabbit book.