Tag Archives: Alison Acheson
This is the fourth part of a series in which Authors who I’ve promoted in the Authors-Readers International series tell Readers what they’ve been doing during these past few months of self-isolating … See the introduction to Part 1 for a further explanation. Here are links to Part 2 and Part 3. (All links on the authors’ names will take you to their A-RI promotion.)
David Poulsen created a YouTube video for his reading of his book, I Wish I Could Be Like Tommy Blake. As David says on his website: Because it’s written for the little guys, we always have a lot of fun with the character (who like me) wants to be like the cool kid in the school, and, of course, Ron Desnoyers’ amazing illustrations are hugely popular as well. I thought that with kids forced to miss school, sports and a whole lot of other activities, this might be a good time to have some fun with me reading the book exactly like I do in schools.
Hazel Hutchins has also created a video in which she reads from her new book, The Truth About Wind. Publisher Annick Press says of the book: Co-author Hazel Hutchins reads her new picture book The Truth About Wind. A story filled with imagination and the importance of telling the truth even if that means letting go of something you love. And Hazel says: I love the way the new book turned out! But it’s a difficult time everywhere and please know that the globe in the background is placed there purposefully, just as a small note of acknowledgment and support.
I have handed in my new manuscript. It’s fiction, entitled DECEPTIONS but that may change as we go along the editing process. It’s scheduled to be published next March but, as you know, there are very few certainties in today’s Covid-ridden world. I have been reading a great deal, doing some reviewing, and serving on the jury for the National Business Book Awards (more reading). Yes, some ZOOM meetings and FaceTime – not sure which app I hate the most. I am also doing some interviews still with Hungarian media for the Forbes edition of Buying a Better World, my book about George Soros and his foundations. I find that speaking relatively intelligent Hungarian is a huge challenge. I also give some editorial and publishing advice online but do not charge for it because I don’t want it to become a professional service (been there, done that). Love your posts about Bequia! (Thanks, Anna!)
Thanks so much for all you do. You really are a dynamo.
I spent the first few weeks of the pandemic adrift. My thoughts scattered to the wind. The only thing I could grasp onto was the endless loop of bad news, which only compounded the feeling of helplessness. People dying and sickened, people losing their livelihoods, companies failing. Writing felt inconsequential in comparison. My creativity flagged along with my energy. It wasn’t until I saw pictures of the skies clearing over the Great Wall of China and dolphins returning to Italy’s waterways that I was finally able to break free of the negative hold the pandemic had on me. That silver lining, fragile as it might be, helped me find shore again and anchored me.
But I didn’t get back to writing immediately. First I got busy in the garden. There’s something primal about digging in the soil and nurturing plants that soothes me. I also got busy cleaning. The house and yard have never looked so good, and that too, soothes me. And then I tackled a few projects that had been on my to-do list for a couple of years. It took all of that to make me feel like I was in control again. Best of all, my energy came back online and my imaginator kicked in.
I’m still not writing anything more substantial than blog posts, but I’m back to working on the outline for my next book. In addition, I’m scribbling out ideas for a short Christmas story. I’ve taken our local writers’ group of twenty + members online with ZOOM, and my volunteer work on the board of our local Activity Centre, Gym, and Museum has also gone online.
I’m loving ZOOM. Even after this pandemic is over, I won’t be giving it up. In fact, I’ve joined two other authors in a weekly share and brainstorming session. My critique group, also three authors, are local and we’re planning a proper socially-distant meeting on my deck with a glass of wine in the very near future.
I’m reading more and tuning into webinars and live training sessions and learning new skills. Our small island community has pulled together. We’re buying as much as we can locally, but when one of us has to go off island, we shop for as many other people as we can manage. I shopped for six of us at Costco a few weeks ago – could barely push the cart up to the till. In that sense, COVID19 has brought us closer.
This pandemic has been difficult, and it’s not over yet. The future is unsteady for all of us. It takes effort every day to stay positive. Keeping the news loop at bay helps, as does this super supportive writing community. So thank you all, and especially Susan, who’s a ray of sunshine on the darkest days. XO (Thanks, Jo-Anne!)
Please join me for two programmes:
In the third week of July for a one-week online Meditation and Writing Retreat at the Summer Writing School, University of Toronto.
A two-week intensive on Mindfulness and Writing for Discipline & Productivity this July. Time=Life. Learn to master time and live life in accordance with your values and aspirations.
I hate to admit how much work I’ve done these past weeks. But the time has been good, and writing is a distraction from any anxiety… it makes the time feel to have some worth.
So here is my update:
I have been WRITING!
Of course, my teaching moved to being online, but I have taught online before…so it really was about switching modes, and being there to support the students…many of whom have not worked online before. And then grades went in.
Here’s an article I wrote for The Writing Cooperative: Optimal Writing Time: Making time — micro and macro — work for you
In addition to working on a novel for adults, I have been writing short pieces, articles—for Medium—something I’ve not done before—and also for a small number of calls for submissions. I was so pleased to have a story win Sub-Terrain’s Lush Triumphant fiction prize this year, and have been enjoying “writing short” while working on the novel. While I can’t imagine working on more than one long (deep!) project at a time, I feel a need to work long and short simultaneously. It’s an old habit, to deal with writer’s block, and to make use of time (an urge borne of the busy time of raising three children). In the midst of this pandemic time, I have also had another book for young children accepted—a book of sacred texts, a “lectio divina” for children. The research for this project was an amazing journey into so many faiths. As I age, I am finding even more pleasure in setting myself down self-chosen research paths
After having a number of readings and presentations cancelled—as have we all—I have been busy with ZOOM promotion, most recently for All Lit Up, and a woman from the ALS Society in Texas, who has put together an amazing book club every Thursday evening for ALS Awareness Month. I am also taking part in a written Q&A for the Vancouver Writers’ Fest Newsletter. I am so grateful for these opportunities to share my work. And most grateful for this opportunity too, Susan!
It’s wonderful to have you doing this work on our behalf. I am truly grateful.
Here’s what I’ve been doing during the last eight weeks of self-isolation:
First, I’ve been sorting my papers and tossing them by the ton, or else piling them for shredding, whenever I can make that happen, or putting them in neat piles with labels for the millions of hungry scholars who will descend on them – hah hah – for what, I don’t actually know except that throwing them out is just not in me. I’m leaving that up to my son and heir.
Second, I discovered that the difficult and unusual (for me) novel I’d been researching and had begun writing when COVID-19 hit does not respond to my efforts to woo it into compliance. I have had to put it on hold for now. The reason, or the additional reason for this, is that almost at once a great idea for a COVID-19 novel hit me, and like a wood tick, burrowed in, would not let go, until I finally wrote a hundred pages of it. Then I had to stop to gather my thoughts, such as they are, and try to find a way to put the next hundred or so pages into my computer. I hope to start writing Part Two tomorrow. In the meantime, I have written a short magazine piece about the pandemic (500 words) and an essay to go at the end of my as yet unpublished essay collection: This Strange Visible Air.
Third, I have had four literary engagements cancelled or postponed, three of which will (eventually one hopes) still take place in the fall and that will earn me in total a couple of thousand, maybe. I haven’t really been worrying about my writing income because I get OAS and CPP and have a bit of money otherwise – a sadly diminishing pile, though. My heart bleeds for anybody whose entire income is from writing. It’s criminal what’s been done to Canadian writers in terms of income. And just today I got myself a judging gig for summer – one literary competition – with some financial compensation.
Fourth, my agent, Marilyn Biderman at TLA, Freehand Books and I have signed an agreement and I am now a Freehand author. This had to be done because my previous publisher, Coteau Books of Regina went bankrupt in late February. Season of Fury and Wonder will be back in print shortly. In the meantime, copies of it must be floating around in bookstores and libraries. I’m very happy about this, and have always been a big admirer of Freehand and I count myself lucky. That collection, by the way, was shortlisted for the Rogers Writers’ Trust Fiction Prize, the W.O. Mitchell City of Calgary Prize and the Georges Bugnet Fiction prize. With the bankruptcy I was afraid it was simply dead in the water, but nope, Butala rises again, like the phoenix! (Definitely a joke.)
And, finally for this 4th post of updates, this is the way I like to see things work with all the authors I promote …
Mike Robbins, on his blog, had reviewed the latest novel, Eternity Began Tomorrow, by Kevin Brennan. Then Kevin returned the favour on his blog with a shout-out and a review of Mike’s collection of novellas, Three Seasons.
Now Kevin has just announced that the paperback edition of Eternity Began Tomorrow is available to purchase!
I asked Kevin if he would send me a calming and peaceful photo from one of his walks that I could post here and he said: You could show the nice people this pic of a hiking destination Sue and I made it to recently. Didn’t see another soul, and it was utterly gratifying. Now that they’ve reopened the parks, places like this are packed. (Below is the Middle Fork of the American River, just a stone’s throw from our house.)
Alison Acheson has published eleven books, ranging from picturebooks to short fiction and memoir for adults, historical fiction and young adult. She lives on the East Side of Vancouver in a little house with a woodstove, and has taught in the writing program at University of British Columbia for a very long time.
I live, teach, and write in Vancouver, British Columbia. I grew up with three brothers in the nearby Delta ‘burb, and have lived with three sons. I suspect this is why quite a number of my stories are written through the eyes and minds of boys.
My life has been filled with turns. An academic might say it’s been “recursive.” A kid would say I’ve been going around in circles. But it’s—so far—been an interesting path. The one thing that has been consistent throughout is my need to write. That’s what distinguishes a writer from other folks: the need to put words on paper. Because really, that’s all it is: just words on paper.
I met Alison Acheson in person for the first, and only, time when we both attended a conference in Banff, Alberta. Alison was in need of a ride back to Calgary where she was catching the bus to return home to Vancouver, and I was driving back home to Calgary when the conference ended, so … we spent a most enjoyable hour or so talking about books, and writing, and authors, and publishers – all that good stuff book people always connect through! I have been following Alison’s writing and publishing over the years, and we were connected on Facebook, but it wasn’t until I saw an announcement about a children’s picture book she had written the text for that I sat up and took closer notice. That book was A Little House in a Big Place, and it was this beautiful cover that grabbed my attention!
First I borrowed a copy from the library, just to have a look, but by the time I’d driven back to my trailer (about 15 minutes from the library to my door!) I knew I had to buy this book for my own personal library! Whenever I look at it, I’m reminded of my years driving across the Canadian prairies, sometimes at night, when I was a sales rep. As I said in my review of the book: A truly great book, and one that will possibly appeal to adults even more than children. Beautifully illustrated, but the story line was also excellent at evoking what it’s like to be a small child in a big place, and how people themselves make contact to bring each other closer together. While I grew up in a big Canadian city and not on the prairies, I did criss-cross those prairies by car for work later in life and I always wondered about those lonely little houses with the lights in the windows. the people who lived in them, and what they were doing. A quiet book, but one that offers a slice of life that most will never have the opportunity to experience in this now too-crowded and noisy world.
This children’s book is definitely a keeper! (And it was published by Kids Can, one of the publishers I used to represent!) Now I plan to go back through and read the other books Alison has written and published, and I also want to read the most recent book she published in Sept. 2019, a memoir of caregiving …
Dance Me To The End
Ten Months and Ten Days With ALS
A profoundly honest and intensely personal story of a woman who cares for her husband after the devastating terminal diagnosis of ALS.
When middle-aged Marty—husband, dad, musician, golfer—is diagnosed with ALS, he and his spouse, Alison, feel cracked open and numb. From that first irrevocable day until Marty’s death ten
months and ten days later, the weeks and months have the family keeping time with unpredictable and overwhelming rhythms. To find her feet, and to bring her body, mind, and soul in harmony, Alison began to keep a journal.
Etching out a jumble of old and new memories and conflicting emotions, Alison chronicled the difficult realities of caregiving for her spouse while processing her experiences with grief and joy and anger and laughter and intimacy. The starkness of caring for a loved one wrestling with a neurological, degenerative, terminal disease in contrast to the sustaining guidance, shifting roles, and enduring love of family, friends, and community characterizes the mesmerizing and nuanced chords of Dance Me to the End.
Dance Me to the End is for people whose lives have been touched by any kind of illness and grief, and are looking for a book that effectively mirrors the experience in all its heartbreaking confusion and pain.